“Chag Sameach!” “Happy Festival!” to anyone celebrating Passover. “Ramadān Mubarak, Blessed Ramadān!” to anyone who was observing the holy month of Ramadān. Many blessings to all, and especially to those celebrating or observing Lazarus Saturday, Easter Week, Counting the Omer, and/or Riḍván!
I’m excited to once again participate in the Kiss My Asana yogathon, which is Mind Body Solutions‘ biggest fundraiser and a way to spread the message that a greater connection between mind and body can help all of us live with improved comfort and ease, no matter our condition, age, or ability.
I started Joyfully participating in the 2014 yogathon because I believe in the transformative, healing, and joyful experience of yoga. I also believe there is a practice for every mind/body/spirit – every veteran, every person with disability, every survivor of sexual assault and other trauma, every elderly person, every person living with chronic pain, every person with a terminal illness – and Mind Body Solutions is helping people find their practice!
Mind Body Solutions’ mission and message reach all walks of life – people living with disabilities, terminal illness, chronic pain, trauma, and PTSD – to name a few. Best known for their Adaptive Yoga Program, which provides adapted yoga opportunities for people around the globe. MBS also offers training and workshops for yoga teachers, healthcare professionals, and caregivers (so they can share this work in their communities, too).
Each year, in addition to hosting a fundraising page and making my personal donation, I offer a blog post and/or a YouTube post – sometimes even a whole practice. This year, I am making videos highlighting different parts of our bodies and, in doing so, different parts of our lived experience. Many more connections exist than the ones I’m highlighting. So, keep in mind that these videos – like the classes I lead – are just the tip of the iceberg.
What happens at Mind Body Solutions is the whole enchilada!
If you have two minutes to spare, I’d recommend you also check out the Mind Body Solutions video (below) so you can see exactly how your donation will help! Thank you for taking the time and for showing your support – and don’t forget to forward this to anyone who you think might want to donate or join!
“Chag Sameach!” “Happy Festival!” to anyone celebrating Passover. “Ramadān Mubarak, Blessed Ramadān!” to anyone who was observing the holy month of Ramadān. Many blessings to all, and especially to those celebrating or observing Great Tuesday, Easter Tuesday, or Counting the Omer!
It’s the fourth day of Passover and, since I don’t have classes on Thursday and Friday, I’m returning to one of my favorite Passover class themes. Also, the message, which I originally posted in 2020, bears repeating! (Class details and links have been updated. Plus, there’s a special offering from my YouTube series about changing perspectives.)
“’Speak to the entire community of Israel, saying, “On the tenth of this month, let each one take a lamb for each parental home, a lamb for each household. But if the household is too small for a lamb, then he and his neighbor who is nearest to his house shall take [one] according to the number of people, each one according to one’s ability to eat, shall you be counted for the lamb.”’”
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– Shemot / Exodus 12:3-4
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“’And this is how you shall eat it: your loins girded, your shoes on your feet, and your staff in your hand; and you shall eat it in haste it is a Passover sacrifice to the Lord.’”
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– Shemot / Exodus 12:11
Every year, as we approach the end of Passover, I think about the first Passover Seder. What would that have been like? How would have felt to celebrate freedom? How would it have felt to give thanks to G-d for that freedom? Charlie Harary points out that while it is natural to think the first Passover Seder occurred a year after exodus, it actually happened the night before exodus. That’s right: G-d commanded the Jewish people to celebrate their freedom and give thanks for being delivered out of Egypt before they were even free – even before they knew their freedom was guaranteed.
Can you imagine doing that? Can you imagine how it would feel? Can you imagine the faith it would take to sit in the middle of your suffering, in the middle of your family and friends as they suffer, and give thanks for what’s to come?
There is a history of this kind of observation in the Hebrew Bible. Remember, in Exodus, Deuteronomy and Leviticus, the instructions for Sukkot are to celebrate what will be given – not what has been given. On a certain level, the High Holidays falls into this paradigm; as the 10 Days of Awe / 10 Days of Atonement are a period of reflection, but also a period of looking forward.
“If one thinks of onself as free, one is free, and if one thinks of oneself as bound, one is bound. Here this saying is true, ‘Thinking makes it so.’”
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– Ashtavakra Gita 1:11
It seems completely backwards to the modern mind. Today we think we need to Have something, in order to Do something, in order to Be what or who we want to be. However, Harary, as well as Neale Donald Walsh in Conversations with God, point out that the Old Testament formula – the formula for success in the time of Moses – was very different. Instead of Have + Do = Be, Harary and Walsh say that the formula was Be + Do = Have. So, if we want to have certain experiences, certain relationships, and certain things in our lives, we have to conduct ourselves as the person that has the experiences, relationships, and things we want in our lives.
“This formula is infallible. There is no wish that has been fulfilled, nor any wish that has been denied, that does not adhere to the principle of the Creation Equation. Every time that you got what you wanted, your desire for it plus the energy you invested in achieving it were greater than the forces that resisted you having it. Each time they weren’t greater, you didn’t get what you wanted.”
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– Rod Styker in The Four Desires: Creating a Life of Purpose, Happiness, Prosperity, and Freedom
Think about it for a moment. One of the things with which people struggle at times is what to Do in a situation. Other times, we don’t struggle. We know exactly what to do and everything falls into place. Successfully achieving our goals still takes effort, it still takes work. But, sometimes, we know exactly what steps to take. How do we know? Because we’re in the mindset of the person who is going to do the work, we take that first step.
In The Four Desires, Rod Stryker codifies a similar formula for success, which he calls “The Creation Equation:” Is + Iv > Ik = P. Here, the intensity (or energy) of desire (Is) combined with the intensity (or energy) put into achieving the goal (Iv), must be greater than the resistance to achieving the goal (Ik), in order for the goal to be achieved (P). It’s easy, straightforward, and makes perfect sense. The problem is that we don’t always realize how much resistance we have to overcome – or that a large bulk of resistance comes from not believing in our ability to achieve success; and/or, in others not believing that we can achieve our success. When we spend a lot of time focused on what we don’t have, we don’t do. When we wake up each morning knowing who we are (BE); we get to work, (DO)ing what we need; so that at the end of the day we HAVE what we need and want.
But, going back to that first Passover Seder for a moment, consider that there is also a contemplative history of imagining one’s self in a certain situation and considering how we would feel or act in that situation. In the Roman Catholic tradition, contemplation is imagining one’s self in the situations of the Gospels. This type of contemplation, along with discernment (noticing the interior movements of the heart), is a big piece of Saint Ignatius of Loyala’s “Spiritual Exercises.” Another example of contemplation in the Christian tradition is moving through the Stations of the Cross. In the 8-limbed philosophy of yoga, one of the niyamas (“internal observations”) is svādyāya (“self study” or “self reflection”). Svādyāya includes noticing how we physically, mentally, and emotionally react or respond to sacred text, music, or situations.
“The study of scripture is another way of putting the principle of self-study into practice…. Elaborating on the concept of svādyāya, Vyasa emphasizes that only those texts that embody indisputable knowledge showing us the path to ultimate freedom are an essential component of self-study. In other words, svādyāya entails the study of spiritual texts that are authentic, contain experiential knowledge, and are infused with the energy to guide us on the path of inner freedom.”
– commentary on Yoga Sutra 2:1 in The Practice of the Yoga Sutra: Sadhana Pada by Pandit Rajmani Tigunait
If you’re interested in practicing a little svādyāya, by “attending” the first Passover Seder, please join me today (Tuesday, April 19th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom.Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below or by emailing myra (at)ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify.[Look for “04142020 Envisioning Freedom”]
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
If you are following the Orthodox Christian calendar and would like a recording of last week’s classes, please comment or email me.
Also, mark your calendar for April 23rd – the beginning of Kiss My Asana!
Speaking of Kiss My Asana…
Founded by Matthew Sanford, Mind Body Solutions helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. They provide classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. This year’s yogathon is only a week long. Seven days, at the end of the month, to do yoga, share yoga, and help others. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days.
Can you imagine Kissing My Asana?
You don’t need to wait until the end of the month, however, to consider how you might participate. Start thinking now about how you can add 5 minutes of yoga (or meditation) to your day, how you can learn something new about your practice, or even how you would teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels.
To give you some ideas, consider that in past years my KMA offerings have included donation-based classes and (sometimes) daily postings. Check out one of my previous offerings dated April 14th (or thereabouts):
“Thank you, God, Look how misery has ended for us. The rain has fallen, The corn has grown, All the children that were hungry are going to eat. Let’s dance the Congo, Let’s dance the Petro, God said in Heaven That misery has ended for us.”
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– “Merci Bon Dieu” by Frantz Casseus, sung by Harry Belafonte
“Happy Spring Festival!” to those who are celebrating.
This is the 2-for-1 “missing” post for Monday, February 7th and Tuesday, February 8th.You can request an audio recording of either day’s practices via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“Over the years I have developed a picture of what human beings living humanly are like. They are people who understand, value, and develop their bodies, finding them beautiful and useful. They are real and honest to and about themselves and others; they are loving and kind to themselves and others. People living humanly are willing to take risks, to be creative, to manifest competence, and to change when the situation calls for it. They find ways to accommodate what is new and different, keeping that part of the old that is still useful and discarding what is not.
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When you add all this up, you have physically healthy, mentally alert, feeling, loving, playful, authentic, creative, productive, responsible human beings. These are people who can stand on their own two feet, love deeply, and fight fairly and effectively. They can be on equally god terms with both their tenderness and their toughness, and can know the difference between them.”
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– quoted from”1. Introduction” in The New Peoplemaking by Virginia Satir (b. 06/26/1916)
What does it mean to be human? That’s not exactly how I phrased the question on Monday night, but my meaning was the same. What makes our individual and collective experiences distinctly human – as opposed to something else? Great minds throughout history have given a lot of thought to such answers and come up with some of the same answers that people offered on Monday night:
Part of being human is being in a community.
Being human means we make up stuff, tell stories.
Compassion is part of being human, but…
Holding grudges is also human.
Being human is complicated. (Shout out to Sheeren Marisol Meraji.)
There is another aspect of being human – one that circles back to that second bullet point (that came courtesy of my yoga buddy Dave). Part of being human is asking those existential questions (like “Who am I?” and Why am I?”) and questions about the nature of the Universe. I’m not sure that other animals on the planet do that. Even if they do, I’m not sure their suffering is connected to such pondering. And, even if I am wrong, there is no denying that those questions and our quest for answers is one aspect of being human.
So, too, is our propensity to believe the stuff / stories we “make up” to answer the questions.
“I see communication as a huge umbrella that covers and affects all that goes on between human beings. Once a human being has arrived on this earth, communication is the largest single factor determining what kinds of relationships she or he makes with others and what happens to each in the world. How we manage survival, how we develop intimacy, how productive we are, how we make sense, how we connect with our own divinity——all depend largely on our communication skills.”
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– quoted from”6. Communication: Talking and listening” in The New Peoplemaking by Virginia Satir (b. 06/26/1916)
Matthew Sanford calls them “healing stories.” Virginia Satir included storytelling (and role playing) in her work around “Becoming More Fully Human.” How ever you see them, we find stories that explain things all over the world, going back to the beginning of recorded history. One common element among cultures is a story (or multiple stories) about how the world came to be and how we came to be in the world. There are even stories about how we relate to each other and the world. To be sure, the stories are not the same; however, the existence of these stories is a common thread. Another common element – and, therefore, another part of being human – is how we take those stories and use them to justify our very best and very worst behavior.
Let me insert a quick clarification here. First, I am not an anthropologist. Second, in this situation, I am using words like “story,” “legend,” and “myth” as direct synonyms – meaning I am not defending or denying the validity or veracity of any story. From an anthropological stand point it is not important whether or not a culturally specific idea can be supported via the scientific method; what is important is whether or not people within the specific culture believe the idea. Ergo, for the purpose of this contemplation, I’m not making a distinction between the truth of the Biblically-based creation story (as found in the Abrahamic religions); the truth of an even more ancient creation myth; and/or the truth of the Big Bang theory (which, need I remind you, is a theory – in part, because none of us were there and can confirm the truth of it).
“In Middle Sinitic and Old Sinitic , the wa of Nüwa and the wa meaning “frog” were near homonyms. Most telling of all is the fact that many Neolithic and Early Bronze Age representations of birthing, fertile women (goddesses) in East Asia depict them as froglike, often with fins, and sometimes even with tails.”
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– quoted from “Chapter 6: Erotic and Ferocious Female Figures of South and East Asia – The Frog Woman” in Sacred Display: Divine and Magical Figuresof Eurasia by Miriam Robbins Dexter and Victor H. Mair
In China, as well as in other parts of Asia, there are creations stories that center around a mother goddess named 女媧 (Nüwa, sometimes written as “Nü Wa,” “Nü Gua,” or “Nü Kua”). The first part of her name (女) designates her as a young female (sometimes translated as “girl”). The second part of her name (媧) can be translated as “lovely” or “frog.” In addition to the different her name can be translated, it is interesting that (according to Wikipedia) the second part of her name uses a traditional Chinese character that is unique to her name. That unique character provides a root for words like whirlpool; a depression, pond, or puddle; a water-worn hole; a hiding place; and snail. In fact, several novels (and even some ancient texts) refer to her as the “snail-maid.” In one novel she is even mistaken for an actual snail! That root also points to something with a spiral or a helix and/or something that spins, rotates, or spirals. (Interesting, to me, is how often the concept of spiraling or spinning is related to creation stories that may not be culturally related.)
In most versions of the stories about Nüwa, her upper body is that of a woman and her lower body is that of a snake or dragon. In art where her lower body is a dragon, the tail end is the dragon’s head. More often than not, however, she is depicted with a snake’s tail. Notice, again, the coil relation and how the idea of a snake as something divine – some times as a divine woman and other times as something with negative connotations – comes up again and again in various cultures. In art where she is paired with a male counterpart, their snake tails intertwine like a double helix – the very picture of DNA.
There are a lot of stories about Nüwa. There are stories about how she saved the world from a great flood (by fixing damage to the sky) and stories about her relationships to others. There are stories about leaders being powerful because she gave them some of her power and stories about her relationships to others. Many of the stories where she is the sole creator of humans date back to at least the early Han dynasty (202 BCE – 220 CE/AD). While her association with a male counterpart is apparent in the later part of the Han Dynasty (~206 CE./AD.) and throughout the Tang dynasty (618-907 C.E./A.D.), the connotation and emphasis of their relationship to humans changed over time. Some of this evolution (from a creation focus to a death focus) may have been political and as a response to the change in culture. Regardless of why the stories and rituals changed, one thing that has survived is the tradition of celebrating specific birthdays on each day during the first week the Spring Festival. This tradition is directly tied to stories that depict Nüwa as the first creative deity.
I say “stories,” because there are different versions. In the variations with which I am most familiar, the heavens and the earth already exist. There was also a variety of flora and fauna on land and in the waters. Somewhere in the heavens, there were also other divine entities, but, Nüwa was lonely and possibly bored. So, one day she decided to create something.
According to this variation of the story, Nüwa gathered some clay or mud from the side of the river and molded what we think of a chickens. Still lonely, she made what we think of as dogs the next day. Each subsequent day she made a different animal: boars or pigs on the third day; sheep on the fourth day; cows on the fifth day; and horses on the sixth day. Then, on the seventh day, she molded beings in her own image. It seems she got excited as she molded the last of her creations. These human beings were entertaining. They could sing and dance… and tell stories. So she made more and more. At some point during the day, she realized that it would take her all of eternity to create as many as she wanted. So, she dipped some rope in the mud and started twirling around, flicking clumps of mud everywhere.
“Nüwa could not stand seeing the decimation of the humans and other creatures she had created. She was determined to rescue them. Facing such a large-scale calamity, Nüwa did not panic. Instead, she prioritized what she was going to do. She decided that the damage to the sky was the cause of everything, so she took to the task of mending it. She collected a great number of mulitcolored stones from a riverbed, built a furnace in the Zhonghuang Mountain, and, after forty-nine days, melted the stones and created a huge piece of colorful slate. Embedding the slate in the hole, Nüwa managed to fix the leaking sky. Her action produced an unexpected side effect: the shining colors of the slate added to the sky a moon, a rainbow, and numerous stars.”
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– quoted from “The Origin of Human Beings“ in The Magic Lotus Lantern and Other Tales from the Han Chinese by Haiwang Yuan (with Forward by Michael Ann Williams)
As I mentioned before, we humans have a propensity to use stories to explain how and why things are the way the are and work the way they work. For example, some people have used this creation story to explain people are born into different socioeconomic conditions. According to this idea, the rich and/or beautiful are descendants of the first humans created by hand; while the poor and/or those perceived as not beautiful are descendants of those humans created from the mud-dripping rope. In some variations of this story there is even a distinction made between the “clay” she used for her sculptures and the “mud” in which she dipped the rope.
Nüwa and her relationship with her male counterpart have also played into people’s understanding of marriage. In some of the mythology she and her spouse use a fan made out of grass to preserve their privacy when they are intimate. In some variations, she marries her brother and uses the fan because “she is ashamed” of the incest. Again, we can sometimes trace changes in a story to changes in social mores. We can also see how these stories are directly connected to the tradition of a wedding fan.
Similarly, during the first week of the Spring Festival, people celebrate the birthdays of each animal created by Nüwa. Granted, people don’t seem to make as big of a deal about these daily birthdays as they do about some of the other daily celebration); but, there is an acknowledgement of the seventh day as the birthday of all humans. People will make human-shaped paper cut-outs; compose poems; and go for hikes (as Nüwa herself might have been doing when she decided to start making stuff).
In some regions of South China, people will eat a seven-vegetable soup full of vegetables and herbs meant to ward off illness and evil. In Malaysia and Singapore, people may eat a vegetable dish or a raw fish salad. Either way, it’s the day when everyone gets one year older. It’s a great day to express gratitude for our collective existence.
It’s also a day that makes me think about what it means to be human.
The following is abridged version a 2021 post. Links have been updated, as needed, and an extra video appears at the end.
“The world is not comprehensible, but it is embraceable: through the embracing of one of its beings.”
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– Martin Buber
Martin Buber, born in Vienna on February 8, 1878, did not consider himself a philosopher or a theologian (because, he said, he “was not interested in ideas, only personal experience, and could not discuss God, but only relationships with God”). Yet, he is remembered as one of the greatest existentialist in the modern era. He was, specifically, a Jewish existentialist and professor of Chasidic mysticism who grew up speaking Yiddish and German at home and would partially earn a reputation as a translator (even translating the Hebrew Bible into German) and for his thoughts on religious consciousness, modernity, the concept of evil, ethics, education, and Biblical hermeneutics.
Known for his philosophy of dialogue, he was concerned with all the questions of existential philosophy – Who am I? Why am I here? What is the meaning / purpose of my life? – but, he came at the questions from a distinctly theist point of view. To Buber we could exist in a purely transactional manner, without any real connection – or we could live, really live, which required another…a “du.”
In his seminal work, Ich und Du, Buber describes a state of being that relies on relationship to have meaning and purpose. However, said relationship must be based on an equal meeting; one that requires authenticity and acceptance rather than projection and conditions. The relationship must be real and perceivable, as opposed to being something created in the mind. The classic examples of this type of encounter are two lovers, an observer and a cat, the author and a tree, or two strangers on a train. For the sake of the New Year, we can even consider a person and their in-laws or a rich person and a beggar.
In all of the aforementioned cases, there is the possibility of engaging with other individuals, inanimate objects, and all of reality in a purely transactional manner that relies on mental projection and representation – which Buber would describe as “Ich und Es” (I-and-It). However, there is also the possibility of true dialogue, encounter, or meeting whereby the two entities connect and merge – which Buber describes as “Ich und Du.” The difference between the two experiences or states, however, is not always obvious on the surface.
Martin Buber’s concept of “Ich und Du” is a particularly tricky for an English reader because there is no single English word that carries all the connotations found in the German “Du.” Translators can, as Ronald Gregor Smith does, use “Thou” to represent the kind of reverence one would have towards God. Or, translators can, as Walter Kaufmann does, use “You;” because it is personal, colloquial, and intimate. The translation by Ronald Gregor Smith is the one that was completed during Buber’s lifetime (and under his supervision) – and it would have been the one on the mind Dr. Martin Luther King, Jr. as a he wrote his famous “Letter from a Birmingham Jail” and at least one of his sermons. However, either translation is still tricky for English readers; because the “Du” Martin Buber intends is simultaneously personal, colloquial, intimate, and reverent.
“Alles wirkliche Leben ist Begegnung.”
“All real life is meeting.”
“All actual life is encounter.”
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– quoted from Ich und Du by Martin Buber (English translations by Ronald Gregor Smith and Walter Kaufmann, respectively)
Consider that we can clearly see how falling in love with a stranger on a train – one to who we have never actually spoken – is not the same as falling in love with someone we have known all our lives. Yet, it is possible to grow up with someone and not actually know them. It is possible to live next door to someone for years and be surprised by their actions. So, it is clearly possible to marry someone and know as much about them (or as little about them) as the person who sits silently across from you during a meditation retreat – in that, we know some of their preferences and values, but we layer our impressions on top of that without knowing the inner workings of their heart and mind. Similarly, someone can marry into our family (or we can marry into theirs) and there is always an invisible barrier which prevents them from truly being family – or, we can love and accept them (be loved and accepted by them) in much the same way we love and accept someone to whom we are related by blood.
Another example would be how a parent feels about a child they adopt versus a child born from their body versus a child born to their spouse. Sure, there are less than ideal situations where there is always separation and distinction. Ideally, however, the difference a parent feels is based on personality not legality – and even then, ideally, there is love and acceptance.
Keep in mind that my examples are oversimplified, because there is more to truly knowing another than time and space. We could still objectify someone and be objectified by them, no matter the time or proximity. According to Buber, moving from an “Ich und Es” relationship (to “Ich und Du”) cannot be forced. According to Buber, the change in relationship requires grace and a willingness to open to the possibility of a seamless merging, an absorption, of sorts.
Yoga Sūtra 3.1: deśabandhah cittasya dhāranā
– “Dhāranā is the process of holding, focusing, or fixing the attention of mind onto one object or place.”
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Yoga Sūtra 3.2: tatra pratyaya-ikatānatā dhyānam
– “Dhyāna is the repeated continuation, or unbroken flow of thought, toward that one object or place.”
– “Samadhi [meditation in its highest form] is the state when only the essence of that object, place, or point shines forth in the mind, as if devoid even of its own form.”
Samādhi, the eighth limb of the Yoga Philosophy, is sometimes translated into English as “meditation” or “perfect meditation.” However, many traditions refer to the previous limb (dhyāna) as “mediation.” Additionally, throughout the sūtras, Patanjali distinguishes between different levels of consciousness, which he also refers to as (lower) samādhi. To distinguish the different experiences in English, some teachers will describe (higher) Samādhi as “Spiritual Absorption” or “Union with Dvine.”
No matter how it is translated, the final limb is not something that can be forced. It comes from a steady and consistent progression through the other limbs and especially through the preceding five – in that mastery of āsana (“seat” or pose) prepares one to practice prāņāyāma (awareness and control of the breath) which, over time, leads to pratyāhāra (“pulling the mind-senses from every direction to a single point”) which becomes dhāranā (“focus” or “concentration”) which, over time, becomes dhyāna (“concentration” or “meditation”) which ultimately can become Samādhi: a seamless merging of the seer and the seen.
This union between the seer and seen, is the similar to – if not exactly the same as – Martin Buber’s “Ich und Du” experience. According to Buber, life is holy and to really know one’s Self requires really knowing another and, in that knowing, one can know God / the Divine (whatever that means to you at this moment).
More often than not, to better understand the “Ich und Du” relationship, I think of Nara and Narayana, identical twins in Hindu mythology. Nara and Narayana are almost always depicted together and they are identical, but one is in a physical body and one is in a spiritual body. Nara-Narayana is referred to as “the spirit that lives on the water” or “the resting place of all living beings;” it is the ultimate goal. However, until the twins become Nara-Narayana, it is Nara (in the physical body) who does the earthly work that allows for the spiritual connection. Once that connection is made, the soul is liberated and no longer burdened by the ignorance (avidyā) that leads to suffering.
“The basic word I-Thou can only be spoken with one’s whole being. The concentration and fusion into a whole being can never be accomplished by me, can never be accomplished without me. I require a You/Thou to become; becoming I, I say you.”
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– quoted from Ich und Du by Martin Buber (English translation by Walter Kaufmann)
There is no playlist for the Common Ground practice (from Monday, February 7th).
“We find, in studying history, one fact held in common by all the great teachers of religion the world ever had. They all claim to have got their truths from beyond, only many of them did not know where they got them from. For instance, one would say that an angel came down in the form of a human being, with wings, and said to him, ‘Hear, O man, this is the message.’ Another says that a Deva, a bright being, appeared to him. A third says he dreamed that his ancestor came and told him certain things. He did not know anything beyond that. But this is common that all claim that this knowledge has come to them from beyond, not through their reasoning power. What does the science of Yoga teach? It teaches that they were right in claiming that all this knowledge came to them from beyond reasoning, but that it came from within themselves.
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The Yogi teaches that the mind itself has a higher state of existence, beyond reason, a superconscious state, and when the mind gets to that higher state, then this knowledge, beyond reasoning, comes to man. Metaphysical and transcendental knowledge comes to that man.”
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– quoted from “Chapter VII: Dhyana and Samadhi” in The Complete Works of Swami Vivekananda, Volume 1, Raja-Yoga by Swami Vivekananda
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“Love seeks one thing only: the good of the one loved. It leaves all the other secondary effects to take care of themselves. Love, therefore, is its own reward.”
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– quoted from Chapter 1, “Love Can Be Kept Only by Being Given Away” in No Man Is An Island by Thomas Merton
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### As they say in Zulu, “Sawubona!” [“I see you!”] and “Yebo, sawubona!” [“I see you seeing me.”] ###
Warning: This post references to mental health and a person who experienced severe emotional distress.
This is the “missing” post for Tuesday, January 25th. Links in the 4th paragraph of the “Coda” will connect you to other websites.You can request an audio recording of the practice via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Do you ever think about what yoga and Virginia Woolf have in common? No? Just me? Ok, that’s fine; it’s not the first time – and will not be the last time that I make what, on the surface, appears to be a really random connection. It’s not even the first (and probably won’t be the last) time this week. However, in circling back to this practice and this theme, I found myself thinking a little more about mental health and the implications of having space, time, and the other resources to focus, concentrate, contemplate, and meditate.
Last year, this practice fell on Monday, 12521 (making it a palindrome practice). While I waited until the following day to reference Carl Jung’s thoughts on yoga and mental health, those thoughts are always hovering in the back of my mind. And yes, that is the second time this week I’ve mentioned the psychiatrist and psychoanalysis on the blog. However, he and his work have come up at least three times this week. Starting with a conversation I had with my brother.
As some of you know, my youngest brother is one of the coolest people I know. He is cool on a lot of different levels, including being pretty Zen in temperament. But, he doesn’t have a regular practice yoga or meditation practice and he doesn’t really talk about those things with people who do (except me). Over the weekend, he asked me about something he read regarding yoga, meditation, and people who have experienced trauma. Our conversations, as they often do, oscillated between the experiences of real people and the experiences of a certain Marvel comic book character. We talked a little about the emotional ramifications of sitting and breathing… and the things that come up when one is essentially alone with their thoughts. It’s a double-edged sword, as Dr. Jung pointed out – as Patanjali, Vyasa, and other early yoga scribes pointed out. So, we talked about the importance of practicing with care and awareness.
Today there is trauma-sensitive yoga, trauma-informed yoga, MBSR (Mindfulness-Based Stress Reduction), HeartMath®, and people who just practice yoga with an awareness that stuff comes up. I mean; we’ve all been through something and when you’ve been through something, stuff comes up. The more intense the trauma-related experience was, the more intense it can be when stuff comes up. Every practice doesn’t work for every person (even Patanjali pointed this out at the beginning of the fourth section of the Yoga Sūtras); but every person needs some way to process what they have experienced – whether they consider it traumatic or not.
Journaling is helpful. Talking to someone is helpful. Connecting with nature is helpful. Sitting and breathing is helpful. You may not need (or want) a “trauma-” label associated with your method of processing, but if you find yourself being overwhelmed by emotion, do something: Ask for help! Maybe a teacher engaged in mindfulness-based practices can help you. Maybe you have a spiritual and/or religious guide who can help you. Maybe you need a mental health professional. Either way, remember that sensation is information; it’s the way the mind-body tells our stories.
Matthew Sanford, the founder of Mind Body Solutions, talks about “healing stories” – the stories we tell ourselves (and each other) to explain our experiences. Those stories are one of the ways we process our stuff. Dr. Toya Webb reminds us that we are “always listening [to the story we tell ourselves] – whether it is destructive or productive.” Maty Ezraty, a master yoga teacher, said that every practice is like a good story.
Consider all of this as you read the following revised version of last year’s post entitled, “Who’s Afraid of Breathing?”
The Yogī should practise [sic] Haṭha Yoga in a small room, situated in a solitary place, being 4 cubits square, and free from stones, fire, water, disturbances of all kinds, and in a country where justice is properly administered, where good people live, and food can be obtained easily and plentifully.”
– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)
“… a woman must have money and a room of her own if she is to write fiction…”
– quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf
In October 1928, Virginia Woolf gave two speeches to two different student societies at Newnham College and Girton College, which at the time were two of the all-women colleges at the University of Cambridge. (NOTE: Newnham is still an all-women’s college. Girton started accepting men in 1971 and started allowing men to be “Mistress,” or head of the college, in 1976.) The speeches were about women and fiction – and specifically detailed why there were so few women writers who had earned acclaimed (and, to certain degree, why those that did often did so anonymously or with “male” names). She also highlighted the absurd trichotomy between the two wildly archetypical way women are portrayed in literature and the reality of the very different types of women in the room, let alone in the world.
Born Virginia Stephen in Kensington, England, Janaury 25, 1882, Ms. Woolf speculated about the works that might have come from a woman (say, in Shakespeare’s time) who had a helpmate to take care of the cooking, cleaning, children, and other household business. She also talked about the social constraints that not only prevented a woman from devoting copious time to the practical application of her craft, writing, but also the social constraints and inequalities that could result in what would amount to writer’s block. All this, she detailed, even before she addressed the issue of a market place predisposed to highlight male writers – and she introduced her ideas by establishing two (really three) of the things a woman would need to overcome the obstacles of society: (time), space, and money.
When I first started going deeper into my physical practice of yoga, I looked into some of the classic texts within the tradition. One of those texts was the Haţha Yoga Pradipika (Light on the Physical Practice of Yoga), a 15th Century text that focuses on āsanas (“seats” or poses), prāņāyāma (breath awareness and control), mudrās (“seals” or “gestures”), and Samādhi (that ultimate form of “meditation” that is absorption). Throughout the text, and in particular in the chapter on mudrās, there is a breakdown of how energy, power, or vitality moves through the body and the benefits of harnessing that power.
I would eventually appreciate how the text is almost a summary of the earlier Yoga Sūtras, but (as an English lit major), what struck me first was how similar these early instructions – related to a practice that can be used to cultivate clarity and harness the power of the mind – were to Virginia Woolf’s advice to women writers.
Posture becoming established, a Yogî, master of himself, eating salutary and moderate food, should practise [sic] Prâṇâyâma, as instructed by his guru.”
– quoted from “Chapter 2. On Prāņāyāma” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)
“I feel a thousand capacities spring up in me. I am arch, gay, languid, melancholy by turns. I am rooted, but I flow.”
– quoted from “Susan” in The Waves by Virginia Woolf
Just as Virginia Woolf addressed misconceptions about women in her essays and fiction, the translator Pancham Sinh addressed some misconceptions about people who practice yoga and the practice of prāņāyāma in an introduction to the Haţha Yoga Pradipika. Part of the introduction is an admonishment to people who would study the practice, but do not practice it, stating, “People put their faith implicitly in the stories told them about the dangers attending the practice, without ever taking the trouble of ascertaining the fact themselves. We have been inspiring and expiring air from our birth, and will continue to do so till death; and this is done without the help of any teacher. Prāņāyāma is nothing but a properly regulated form of the otherwise irregular and hurried flow of air, without using much force or undue restraint; and if this is accomplished by patiently keeping the flow slow and steady, there can be no danger. It is the impatience for the Siddhis which cause undue pressure on the organs and thereby causes pains in the ears, the eyes, the chest, etc. If the three bandhas be carefully performed while practicing [sic] the Prāņāyāma, there is no possibility of any danger.”
Siddhis are the powers or “accomplishments” achieved from continuous practice. They range from being able to extend peace out into the world and understanding all languages; to being able to levitate and know the inner workings of another’s heart and mind; to the six “powers unique to being human.” Bandhas are “locks” and refer to internal engagements used to seal sections of the body in order to control the flow of prāņā. The three major bandhas referred to in the text are the same engagements I encourage when I tell people to “zip up” and engage the pelvic floor and lower abdominal cavity (mūla bandha), the mid and upper abdominal cavity (uḍḍīyana bandha), and the throat (jālandhara bandha). I typically refer to a fourth – pada bandha – which is a seal for the feet; however, in classical texts the fourth bandha is the engagement of the three major bandhas (root, abdominal, and throat) at the same time.
Before anyone gets it twisted, let’s be clear that this introduction is not advice to grab a book and follow instructions without the guidance of a teacher. In fact, Pancham Sinh specifically advised people to find a teacher who practiced and indicated that while one could follow the directions from a (sacred) book, there are some things that cannot be expressed in words. There are some things that can only be felt.
This is consistent with Patanjali’s explanation that the elements and senses that make up the “objective world” can be “divided into four categories: specific, unspecific, barely describable, and absolutely indescribable.” (YS 2.19) That is to say, there are some things that have specific sense-related reference points; some things that can be referred back to the senses, but only on a personal level; some things that have no reference points, but can be understood through “a sign” or comprehension of sacred text; and some things which cannot be described, because there is no tangible reference point and/or “sign” – there is only essence.
One of the things we can feel, but not touch, is emotion. Emotions can come with visceral experiences and, in that way, can fall into the “unspecific” category. More often than not, however, what we feel is “barely describable” (or even indescribable) – and yet, writers are always trying to describe or capture the essence of what is felt. As the author of nine novels (including one published shortly after her death), five short story collections (most of which were published after her death), a hybrid novel (part fiction, part non-fiction), three book-length essays, a biography, and hundreds of articles, reviews, and essays, Virginia Woolf constantly endeavored to describe what she felt and what she felt she saw others feeling. Even more salient, she often focused on the disconnection between what her characters felt and what they could describe about what they felt.
The author’s efforts were hindered, or aided (depending on one’s viewpoint), by the fact that she experienced so much trauma and heartbreak; much of which led to emotional despair. She was possibly (probably) abused by one of her half-brothers from an early age. Then she suffered a mental breakdown at the age of 13, after her mother died. Then she had to deal with the death of her half-sister and a maternal role model just two years later. When her father he died, in 1904, she had another breakdown, the severity of which landed her in the country for a period of convalescence. It was during this period that she began to write in earnest (even though the doctors had recommended that she only write letters) and that she would meet Leonard Woolf, the author whom she would marry in 1912. The writing helped, in that she seemed to find some mental and emotional stability for about 15 years. But, she would experience another breakdown after correcting the proofs of her first novel, The Voyage Out. The novel was published by her half-brother’s publishing company (yes, that aforementioned half-brother) and introduced the world to “Clarissa Dalloway,” the protagonist of her fourth novel.
Having seated in such a room and free from all anxieties, he should practise [sic] Yoga, as instructed by his guru.”
– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)
“You cannot find peace by avoiding life.”
– quoted from The Hours: a novel by Michael Cunningham
It is interesting to me that while the instruction for the Haţha Yoga Pradipika instructed a person to practice when they were “free from…disturbances of all kinds” (HYP 1.12); “free from dirt, filth and insects” (HYP 1.13); and “free from all anxieties” (HYP 1.14), the vast majority of people practicing in the modern world do so in order to free themselves from the various maladies that plague them. Additionally, I find it interesting that historians, teachers of literature, and even psychiatrists spend a lot of time (theoretically) diagnosing a young woman (Virginia Woolf) who may have been experiencing (and working through) the most natural of emotions; natural, given her circumstances.
Were her emotions extreme and potentially dangerous? Yes, by all accounts – including her own words and her death – her emotions were extreme and dangerous; as were her circumstances. Initially, she was able to work through her distress because she had the support of those to whom she was connected. In the end, however, she was left alone and feeling disconnected.
The Air I Breathe, one of my favorite movies, was released in the United States Janaury 25, 2008. Inspired by the idea that emotions are like fingers on a hand, the main characters are known to the audience as Happiness, Pleasure, Sorrow, Love, and Fingers – and their stories are interconnected, even though they don’t necessarily realize it. In fact, some of the most desperate actions in the movie are motivated by fear and a sense of isolation. Promotional materials for the movie proclaimed, “We are all strangers / We are all living in fear / We are all ready to change” and in the movie Happiness asks, “So where does change come from? And how do we recognize it when it happens?” Happiness also says, “I always wondered, when a butterfly leaves the safety of its cocoon, does it realize how beautiful it has become? or does it still just see itself as a caterpillar? I think both the statement and the questions could be applied to so many, if not all, of Virginia Woolf’s characters. They could also be applied to all of us in the world right now.
“‘For,’ the outsider will say, ‘in fact as a woman, I have no country. As a woman I want no country. As a woman my country is the whole world.’ And if, when reason has had its say, still some obstinate emotion remains, some love of England dropped into a child’s ears… this drop of pure, if irrational, emotion she will make serve her to give to England first what she desires of peace and freedom for the whole world.”
– quoted from the novel-essay “Three Guineas,” as it appears in The Selected Works of Virginia Woolf by Virginia Woolf
As I have mentioned before, I consider the 8-Limbed Yoga Philosophy to have very real-time, practical applications and I normally think of the physical practice as an opportunity to practice, explore, and play with the various elements of the philosophy. I will even sometimes use aspects of alignment as a metaphor for situations in our lives off the mat. Given this last year the last few years, however, I have really started to consider how āsana instructions from classic texts like The Yoga Sūtras of Patanjali and the Haţha Yoga Pradipika, can be more practically applied to the most basic aspects of everyday life.
For instance, if we spend our time on the mat cultivating a “steady/stable, comfortable/easy/joyful” foundation in order to breathe easier and more deeply, doesn’t it make sense to spend some time cultivating the same type of foundation in our lives?
Going out a little more, if we do not have the luxury or privilege of practicing “in a country where justice is properly administered, where good people live, and food can be obtained easily and plentifully,” doesn’t it behoove us to create that land?
Finally, what happens if we (to paraphrase yoga sūtras 2.46-47) establish a baseline for stability and then loosen up a little bit and focus on the infinite? Patanjali and the authors of the other sacred texts told us we would become more of who we are: leaner in body, healthier, brighter, more joyful, “clearer, stronger, and more intuitive.” In other words: peaceful and blissful.
“lōkāḥ samastāḥ sukhinōbhavantu”
– A mettā (loving-kindness) chant that translates to “May all-beings, everywhere, be happy and be free.”
When the body becomes lean, the face glows with delight, Anâhatanâda manifests, and eyes are clear, body is healthy, bindu under control, and appetite increases, then one should know that the Nâdîs are purified and success in Haṭha Yoga is approaching.”
– quoted from “Chapter 1. On Āsanas” of the Haţha Yoga Pradipika, translated by Pancham Sinh (1914)
“The human frame being what it is, heart, body and brain all mixed together, and not contained in separate compartments as they will be no doubt in another million years, a good dinner is of great importance to good talk. One cannot think well, love well, sleep well, if one has not dined well.”
– quoted from the essay “A Room of One’s Own,” as it appears in A Room of One’s Own And, Three Guineas by Virginia Woolf
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
This is the “missing” post for Wednesday, October 20th.You can request an audio recording of either practice via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
“When the bones are good, the rest don’t matter Yeah, the paint could peel, the glass could shatter Let it break ’cause you and I remain the same When there ain’t a crack in the foundation Baby, I know any storm we’re facing Will blow right over while we stay put The house don’t fall when the bones are good”
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– quoted from the song “The Bones” by Maren Morris
Unless something goes wrong, our bones are something we very rarely talk about. Sure, when I taught Yin Yoga on a regular basis, my quick-and-dirty explanation for the different engagement was that in vinyasa and other weight-bearing exercises, we are typically squeezing our muscle and skin into the bones, while with Yin Yoga (and Restorative) we want the muscle and skin to melt away from the bones. However, that’s not even completely accurate. While we do squeeze the muscle (and the skin) into the bones in order to move the bones, once we are holding a pose, proper alignment can give us an opportunity to relax some of the muscle and skin. Also, I’ve done some special events where I talk about “Dem Bones” – referencing the way our bones are connected and the song (which, by the way, is virtually impossible to add to a playlist) – but, even then, I wasn’t talking about bone health. All that changed today; because today (October 20th) was World Osteoporosis Day.
Originally conceived in 1996, by the United Kingdom’s Osteoporosis Society (and supported by the European Commission), World Osteoporosis Day has been organized by the International Osteoporosis Foundation (IOF) since 1997, and recognized by the World Health Organization since 1998. It is a day dedicated to “raising global awareness of the prevention, diagnosis and treatment of osteoporosis and metabolic bone disease.” This year’s theme is “Serve Up Bone Strength” and there will be a year-long campaign centered around taking care of and protecting the muscles and bones. Of course, the campaign centers around education and awareness about the importance of bone health and what we can do – at any age or ability – to promote it.
“Those who practice yoga say it is life changing. Those of us who are as flexible as a piece of lumbar are not so sure. I admire yoga’s rich history, more than five thousand years old, but I run into a few mental roadblocks in understanding concepts like grounding and spinal energy. In fact, I was sitting in my slumped-over and crooked version of the lotus position during a special yoga class taught by Bruce’s mentor Matthew Sanford, when Matthew said to a student, ‘Breathe into your spine for God’s sake!’ I had no idea what that meant. The student understood though, and he made proper adjustments. What was remarkable was that both teacher and student were in wheelchairs.”
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– quoted from “24. Dis Ease Yoga” in When Know How This Ends: Living while Dying by Bruce H. Kramer with Cathy Wurzer
The word “osteoporosis” comes from Greek words meaning “bone” and “passage” or “pore.” The condition causes bones to weaken form the inside out and become so fragile that the simplest things can can cause the bones to break or fracture. By “the simplest things,” I mean that someone with osteoporosis can suffer a break or a fracture when they sneeze, make a sudden movement, bump up against something, and/or experience a a minor fall or stumble. Sure, we may think about someone breaking a bone when they have a major fall; but, if your bones are brittle, even stubbing your toe on something and then catching yourself before you tumble to the ground can result in a severe injure. Keep in mind, also, that a minor fracture when you have healthy bones may or may not be a big deal. However, osteoporosis-related fractures can be life-threatening and are a major cause of pain and long-term disability.
According to the World Osteoporosis Day website, 1 in 3 women and 1 in 5 men, age 50 years or older, will suffer an osteoporotic fracture. That works out to millions and millions of people – many of whom will not seek treatment. Additionally, statistics indicate that only about 20% of people with osteoporotic fractures are actually treated for osteoporosis. That translates into millions of people who may have a fracture or a break treated, but remain at high risk for more fractures and more breaks – and that can translate into a major drain on the healthcare system.
The older we get, the more likely we are to fall and there is sometimes a tendency to handle our bones with care. But, sometimes we go to far in our efforts to protect ourselves and actually create more risk. The human body is designed to move and to stay mobile. Consider the fact that even when we are not moving on the outside, there are lots of things inside of us that are in constant motion. For example, the spine reacts to breathing unless something gets in the way. There’s a micro-extension when we inhale and a little bit of flexion when we exhale. This little bit of movement is one of the ways the spine stays healthy and balanced and one of the ways it supports us and our nervous system. Take away that little bit of movement and we’ve got some problems.
“Jo and I discovered that alignment and precision increase mind-body integration regardless of paralysis. The mind is not strictly confined to a neurophysiological connection with the body. If I listen inwardly to my whole experience (both my mind’s and my body’s), my mind can feel my legs.
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This is one of those truths that is easy to pass by, like the existence of dinosaurs. But in fact, it should dumbfound us – that, on some level, something as simple as the more precise distribution of gravity can transcend the limits set by a dysfunctional spinal cord. When I move from a slumped position to a more aligned one, my mind becomes more present in my thighs and feet. This happens despite my paralysis. It is simply a matter of learning to listen to a different level of presence, to realizing that the silence within my paralysis is not loss. In fact, it is both awake and alive.”
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– quoted from “14. Maha Mudra” in Waking: A Memoir of Trauma and Transcendence by Matthew Sanford
A few years ago, one of my yoga-buddies, Sister Karen, forwarded me an article about studies showing that some asanas and some styles of yoga are good for bone health. Since she and some of the other people in her community are of an age where they are thinking about their bone-density, she wanted to know what I would recommend. As it turned out, the article mentioned poses that we do in almost every vinyasa practice. In fact, a typical vinyasa practice is a weight-bearing practice. Like walking, another great weight-bearing exercise for the bones, it usually includes a little balance – even when you don’t realize you’re balancing.
Remember, whenever you take a step, there is a moment when you are balancing on one foot. We may not think very much of it when we are in the prime of our lives; however, being able to stand on one foot (and then hop on one foot) is an important marker in child development. A toddler has to be able to stand on one foot in order to…well, toddle. By age 5 or 6, a neurotypical child should be able to balance on one foot for about 10 seconds; jump up and land with both feet; jump over an object that is 10 inches high; hop on one foot for about 20 feet (or more); and skip. Keep in mind “normal” falls on a spectrum when it comes to child development there’s no hard-and-fast timeline in terms of when a child goes from balancing on one foot for 4 seconds to balancing on one foot for 20 seconds (which is a marker for someone who is 7 years old). Similarly, some kids will walk on their tiptoes long enough for it to be recognized as a balancing marker, while others will not be super invested in that experience.
The body’s ability to balance is based on continuous communication and coordination between the brain, the inner ear, eyes, muscles, and joints. These parts of our overall system, and the communication between them, make up our proprioception and vestibular systems. Proprioception is how the brain uses the muscle and joints to find the body in space. The vestibular system – sometimes called the balance center – combines that awareness of the body’s position (in reference to the elements around it) with information about speed of motion (acceleration and deceleration) that is transmitted through the inner ear and eyes. This speed of motion information is largely based on the position of the head. Change one element and we wobble, maybe even fall.
– quoted from the song “Free Fallin'” by Tom Petty (b. 10/20/1950)
The IOF recommends the following five tips or steps to healthy bones and a fracture-free future:
EXERCISE:Exercise regularly to keep your bones and muscles moving. For bone health, focus on weight-bearing, muscle-strengthening, and balance-training exercises.
NUTRITION: Ensure your diet is rich in bone-healthy nutrients like calcium, vitamin D, and protein. You can combine these first two elements by talking a walk (or run) outside in order to absorb a little vitamin D through safe exposure to the sun.
LIFESTYLE: Avoid negative lifestyle habits by maintaining a healthy weight and avoiding smoking and excessive amounts of alcohol.
RISK FACTORS:Some bone issues are genetic; so, make sure you know your family history and talk to your health care practitioner about any old fractures or bone pain. Also, talk to your health care provider about any medication that might affect your bone health.
TESTING & TREATMENT: One of the big activities around World Osteoporosis Day is bone-strength testing for people 40 years or older and people in other high risk groups. Lifestyle changes and/or medication can help protect your bones. Furthermore, the earlier osteoporosis is detected, the effectively it can be treated.
Remember, in American English “bad” has two meanings. Take a moment to consider what you can do so that you are “bad to the bone” in a way that is “even better than good,” rather than in a way that means your bones are “horrible” or “of quality.”
“I’m here to tell ya honey That I’m bad to the bone Bad to the bone B-B-B-B-Bad B-B-B-Bad B-B-B-Bad (Hoo) bad to the bone”
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– quoted from the song “Bad to the Bone” by George Thorogood & The Destroyers
Wednesday’s playlist is available on YouTube and Spotify.
“‘Cause these dry-dry bones gonna rise up, gonna rise up
Gonna rise up, gonna rise up Gonna rise up, gonna rise up Gonna rise up
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Take my hand let it set you free Keep working on your destiny There’s healing in the air, get touched Can you feel it ’cause the message is love”
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– quoted from the song “Dry Bones” by Gregory Porter
This is the “missing” post for Wednesday, August 11th.You can request an audio recording of either practice via a comment below or (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.
Check out the “Class Schedules” calendar for upcoming classes. If you are using an Apple device/browser and the calendar is no longer loading, please email me at myra (at) ajoyfulpractice.com at least 20 minutes before the practice you would like to attend.]
“I love short stories because I believe they are the way we live. They are what our friends tell us, in their pain and joy, their passion and rage, their yearning and their cry against injustice. We can sit all night with our friend while he talks about the end of his marriage, and what we finally get is a collection of stories about passion, tenderness, misunderstanding, sorrow, money….”
– quoted from the essay “Marketing” in Part III of Broken Vessels: Essays by Andre Dubus
Maty Ezraty once said, “A good sequence is like a good story. There is a beginning (an introduction), the middle (the heart of the story), and the end (the conclusion).” Life is a little different in that we meet each other in the middle of our stories and simultaneously progress forward and back (as we learn about each other’s back stories). However, regardless of the order in which we receive the information, take a moment to consider that our minds, bodies, and spirits are always telling us stories. The practice just happens to be a great way to process our stories. What remains to be seen, however, is if we paying attention.
Are we paying attention to our own stories? Are we paying attention to the stories of others? What happens when we “listen” to the sensation, which is the information that relates the story? What happens when, no matter how “woo-woo” it may seem, we trust our intuition and what comes up for us during the practice?
What happens when we dig down deep into the roots of the stories we tell ourselves and the stories we tell each other?
“There is fiction in the space between You and reality You will do and say anything To make your everyday life seem less mundane There is fiction in the space between You and me”
– quoted from the song “Telling Stories” by Tracy Chapman
“Either you deal with what is the reality, or you can be sure that the reality is going to deal with you.”
– Alex Haley
At the beginning of the practice, as we are getting into the first pose – no matter what pose it is – we spend a little time establishing the roots, the foundation, the seat, the āsana. Then we repeat that process, again and again, as we move through the practice. Sometimes, we establish a foundation that works for a whole sequence, which gives us a different understanding of the root system and how everything stacks up from the base, the seat, the āsana (which is the pose). Sometimes, when we come back to a pose, we may pause for a moment and consider what’s changed, what’s shifted, and whether the original foundation still serves us. Sometimes we may find that, like roots, we need to spread out a little. If we spread out a little, add a prop, and/or bring another part of our body to the floor or a prop, then we are adding to our āsana, our seat, our foundation, our roots.
Adding to our roots, sometimes allows us to go deeper into our stories. The deeper we go, the more stories we find. The more stories we find, the more stories we can share.
“My fondest hope is that Roots may start black, white, brown, red, yellow people digging back for their own roots. Man, that would make me feel 90 feet tall.”
– Alex Haley (in a Playboy interview)
We may not always realize, but we are actually telling a multitude of stories any given time. There is the physical story of who we are and what we’re doing in this moment; which is also the story of what we’ve done in past moments and may tell a little bit about our future moments. Then consider the mental story – which is inextricably tied to the physical story – and the emotional story, which is also tied to the mind-body story. There’s also, sometimes, a symbolic story based on the stories and attributes associated with the poses. Finally, there is an energetic story.
Actually, I could say that there are energetic stories; becausedifferent cultures and sciences have different energetic mapping systems. Yoga and Āyurveda, as they come to us from India, include an energetic mapping system composed of nādis (energy “channels” or “rivers”), marma points or marmāni (“vital” or “vulnerable” points), and chakras (energy “wheels”). The chakras, which are the points where the three primary nādis overlap around the center of the body, correspond with certain parts of the body and certain parts of our lives. In other words, they correspond with certain parts of our stories.
It is not an accident that the parts of our bodies that serve as our primary support (feet, legs, pelvic floor area) are referred to in yoga as our “root chakra” and that it is associated with our foundation in life: our first family, our tribe, our community of birth. Going deeper into these physical roots can give us deeper insight into how we – literally, metaphorically, and energetically – move through the world. Going deeper into these physical roots can give us deeper insight into how we build our lives, how we support ourselves, and (even) how we support our relationships and dreams.
“When you start talking about family, about lineage and ancestry, you are talking about every person on earth.”
“Roots is not just a saga of my family. It is the symbolic saga of a people.”
– Alex Haley
I often point out that just as we can be genetically connected to people we have never met and will never meet, we can also be energetically connected to people we have never met and will never meet. Just as someone who is adopted can find it beneficial (but challenging) to discover their birth families medical history, many of us can find that it is beneficial – but challenging – to discover the history of our ancestors: where they came from, what languages they spoke, what food they ate, what experiences informed their society. When we are able to uncover those stories, we gain insight into our own lives.
Nowadays, pretty much anyone and their mother can take a DNA test and discover some information about their family history, their roots. Of course, there will still be some unknowns and, if there’s no paper trail, there may be a lot of unknowns. Go back fifty or sixty years, before such tests were readily available to the public, and most African Americans in the United States had little to no hope of knowing their families back stories. Sure, there were family legends and bits and pieces of folklore that had been verbally passed down, but one never really knew how much was fact and how much was fiction. Even if, as is the case in my family, people lived long lives and there were family cemeteries, the legacy of slavery created a multigenerational novel with several chapters ripped out.
Born in Ithaca, New York on August 11, 1921, Alex Haley wanted to recover the ripped out chapters of his family’s story. His father, Simon Alexander Haley, was a professor of agriculture at several southern universities whose parents had been born into slavery (after being fathered by their mother’s slave owners). His mother, Bertha George Haley (née Palmer), was also the descendant of slaves and often told him stories about their ancestors. As was expected by his family, young Alex started college, but then dropped out and joined the United States Coast Guard. It was during his 20 years in the Coast Guard, that Alex Haley started his career as a writer.
Alex Haley is remembered for works like the 1965 Autobiography of Malcolm X and his 1976 book Roots: The Saga of an American Family, as well as Queen: The Story of an American Family (which was completed by David Stevens after Mr. Haley’s death), but he started off by writing love letters on behalf of his fellow sailors. Eventually he wrote short stories and articles for American magazines and, after World War II, he transferred into journalism where he was designated petty officer first-class (in 1949). He earned at least a dozen awards and decorations and the position of Chief Journalist was reportedly created for him. It was a position he held (along with the designation of chief petty officer) until he retired (in 1959).
After he retired, Alex Haley continued to make a name for himself by conducting interviews for Playboy. He was known for interviewing the best and the brightest in the African American community. In addition to his interviews with Malcolm X (which became his first book), he interviewed Muhammad Ali, Miles Davis, Martin Luther King Jr., Sammy Davis Jr., football legend Jim Brown, and even Quincy Jones – who would compose the music for the movies made out of Alex Haley’s books. He also interviewed famous people (who were not Black) like Johnny Carson and notorious people (who were not Black) like the Neo-Nazi politician George Lincoln Rockwell and Malvin Belli, the attorney who defended Jack Ruby.
When he started tracing his own family roots, Alex Haley interviewed family members and even traveled to Gambia (in West Africa) to interview tribal historians. Of course, there were still holes in the story and whole (cough, cough) passages missing. So, Mr. Haley decided to braid together what he could verify and what he was told with what he could imagine. Since his life experience was so vastly different from that of his ancestors, he decided to book passage on a ship traveling from the West African coast of Liberia to America – and, in order to more fully experience “middle passage,” he slept in the hold of the ship wearing only his underwear. During the 10 years that it took him to complete the novel that he initially called Before This Anger, Alex Haley supported himself as a public speaker at universities, libraries, and historical societies.
Despite accusations of plagiarism, Mr. Haley’s finished product Roots: The Saga of an American Family became a bestselling novel that has been translated into almost 40 languages, received a Special Citation Pulitzer Prize in 1977, and was adapted into a 12-hour television miniseries that was one of the most watched television events in history. The book ignited an interest in genealogy (particularly for African Americans) and spawned a second mini-series, Roots: The Next Generations, as well as a second book, Queen: The Story of an American Family. Queen, about Alex Haley’s paternal grandmother – who was a mixed child born into slavery – was also made into a much anticipated mini-series. The 1993 series was so anticipated that while I barely remembered that Halle Berry starred as “Queen,” I distinctly remember driving on I-45 between Dallas and Houston on a Sunday night and stopping at a motel to because I didn’t want to miss the beginning of the series. I didn’t want to miss any part of the story that could have just as easily been my family’s story.
“Racism is taught in our society, it is not automatic. It is learned behavior toward persons with dissimilar physical characteristics.”
– Alex Haley
In some yoga practices, when we are on our backs with legs crossed, I might call the position “Eagle Legs” or “Garudāsana Legs.” However, in some styles and traditions, like in Yin Yoga, the same position would be called “Twisted Roots.” All of us, especially in America, have twisted roots – ways in which we may not realize we are connected, ways in which we may not realize our stories overlap. In the pose, the position of the legs engages the hips – what I often refer to as “the energetic centers of our relationships.” Our hips are energetically and symbolically associated with our second chakra, also known as our “sacral” (and “sacred”) chakra, and the relationships we make outside of our first family, tribe and community of birth. It is here that we, quite literally in Sanskrit, find our “[self] being established.” Again, it is no coincidence that the twisted roots in our lives engage – and bring awareness to – our connections to those we perceive as being different from us.
This is where we start to notice how our stories overlap.
On the surface, it might appear that Alex Haley and Andre Jules Dubus II have very little in common outside of a birthday, a nationality, and a profession. Mr. Dubus was born in Lake Charles, Louisiana on August 11, 1936. While Alex Haley was the oldest child and traced his heritage to African Cherokee, Scottish, and Scottish-Irish ancestors, Andre Dubus II was the youngest born into a Cajun-Irish Catholic family. Literature and writing were emphasized throughout his school and it was only after he graduated from college – with a degree in journalism and English – that, like Mr. Haley, Mr. Dubus enlisted in the military. He served in the United States Marine Corps for six years, earned the designation of captain, and eventually earned an MFA in creative writing.
“Wanting to know absolutely what a story is about, and to be able to say it in a few sentences, is dangerous: it can lead to us wanting to possess a story as we possess a cup. We know the function of a cup, and we drink from it, wash it, put it on a shelf, and it remains a thing we own and can control, unless it slips from our hands into the control of gravity; or unless someone else breaks it, or uses it to give us poisoned tea. A story can always break into pieces while it sits inside a book on a shelf; and, decades after we have read it even twenty times, it can open us up, by cut or caress, to a new truth.”
― quoted from the essay “A Hemingway Story” in Meditations from a Movable Chair: Essays by Andre Dubus
Andre Dubus II spent most of his adult life teaching literature and creative writing, but also earned recognition for his short stories and novellas, as well as at least one novel. He was awarded fellowships from the Guggenheim and MacArthur Foundations, as well as several PEN Awards. His works include the 1979 short story “Killings,” which was nominated for five Academy Awards and three Golden Globe Awards (with Sissy Spacek winning for “Best Actress – Drama”) and the novellas We Don’t Live Here Anymore and Adultery, which were combined and adapted into the movie We Don’t Live Here Anymore. He also wrote Broken Vessels: Essays; Dancing After Hour: Storiess; and Meditations from a Moveable Chair: Essays. Like Alex Haley, some of Mr. Dubus’s work appeared in Playboy. Additionally, both men were married three times (although Andre Dubus II had twice as many children*). While the works of both men include love and hope overcoming tragedy, challenges, and horrific hardships, the source of their tragedy, challenges, and hardships were very different.
Well, ok, this first part is similar: Like Alex Haley, Andre Dubus II was affected by the rape of a relative. In the latter case, it was one of his own daughters and his daughter’s experience left him traumatized. (Years later, he would hear and retell the story of his sister Kathryn’s rape.) He was plagued with fear and paranoia surrounding the safety of his loved ones. His anxiety was so acute that he carried guns with him so that he was prepared to defend his family and friends against any (perceived) threats. His decision to carry multiple guns wherever he went – combined with his fear and paranoia – almost resulted in a second tragedy when he nearly shot a drunk man who was arguing with his son.
(This next part is symbolically similar to an earlier story, because it involves places the writer had never been and tragedy that occurred when strangers were thrown together.)
Like Alex Haley, Andre Dubus II wanted to go to the places about which he was going to write. He wanted to put himself in the shoes and on the path of his characters. So, he drove to Boston to check out some bars. Driving home that night, Wednesday, July 23, 1986, along I-93 between Boston and his home in Haverhill, Massachusetts, Mr. Dubus saw a couple of stranded motorists: a brother and a sister, Luis and Luz Santiago. None of them knew it at the time, but a motorcyclist had suffered a personal heartbreak, gotten drunk, crashed his bike, and then abandoned it in the middle of the road. Despite his anxiety, paranoia, and fear of strangers, it doesn’t appear that Mr. Dubus hesitated to help the Puerto Rican siblings in need. Neither does it appear that he hesitated (later) to help the drunk motorcyclist.
Tragically, after he stopped to help them move their car off of the highway, someone hit Andre Dubus II and the siblings. Luis Santiago died at the age of 23. Luz Santiago survived – because Andre Dubus II pushed her out of the way. As for Mr. Dubus, his legs were crushed in a way that initially resulted in his left leg being amputated above the knee and eventually led to the him being unable to use his right leg.**
He attempted to use prosthetics, but infections regulated him to a wheelchair. His medical and physical therapy bills stacked up – as did his anxiety, which was now compounded by clinical depression. His community of fellow writers stepped in to help him financially, and even emotionally. A literary benefit sponsored by Ann Beattie, E.L. Doctorow, John Irving, Gail Godwin, Stephen King, John Updike, Kurt Vonnegut, and Richard Yates yielded $86,00. But, there was more heartbreak: his third wife left him, taking his youngest two daughters.
Still, he kept writing.
“Don’t quit. It’s very easy to quit during the first 10 years. Nobody cares whether you write or not, and it’s very hard to write when nobody cares one way or the other. You can’t get fired if you don’t write, and most of the time you don’t get rewarded if you do. But don’t quit.”
– Andre Dubus II
Broken Vessels: Essays, which was Pulitzer Prize finalist, contains five sections; however, in a September 1991 review in The Baltimore Sun, Garret Condon indicates that the essays can be divided into two sections: before the accident and after. A similar division can be seen in the whole body of his work as he moved from short stories based on the struggles and victories of the characters he found around him to essays about his own struggles and victories. As Alex Haley did, Mr. Dubus found himself attempting to bridge the gap between what he knew, what he was told, and what he could imagine. Lights of the Long Night braids together the story the 1986 accident as Andre Dubus II remembered it with the memories of the doctor who saved his life and those of Luz Santiago (whose life Mr. Dubus saved). Dancing After Hours: Stories is a collection of short stories full of characters whose lives are marked by a tragic before-and-after. Then there is Meditations from a Moveable Chair: Essays which depicts Andre Dubus’s personal journey through the trauma, loss, disability, and healing.
“It is not hard to live through a day, if you can live through a moment.”
– quoted from the short story entitled “A Father’s Story” by Andre Dubus
“What cracks had he left in their hearts? Did they love less now and settle for less in return, as they held onto parts of themselves they did not want to give and lose again? Or – and he wished this – did they love more fully because they had survived pain, so no longer feared it?”
– quoted from Dancing After Hours: Stories by Andre Dubus
On more than one occasion, I have mentioned my love of stories and storytelling as well as how Maty Ezraty’s perspective shapes my practice. Matthew Sanford is another teacher whose perspective on stories, storytelling, and the practice inspires the way I process through the practice. His story, like Andre Dubus’s story, overlaps life before and after a car accident that left him without mobility in his legs. In the introduction to his first book, Waking: A Memoir of Trauma and Transcendence, the founding teacher of Mind Body Solutions defined “healing stories” as “my term for stories we have come to believe that shape how we think about the world, ourselves, and our place in it.” In recent years, he has co-hosted “Body Mind Story,” a series of writing workshops with Kevin Kling and Patricia Francisco, to help people get in touch with the stories they hold in their mind-bodies.
When I think about our “healing stories” – the stories we tell ourselves and each other – I think about how those stories serve us, how they help us live and love more fully. When I come across someone whose story is different from mine, I question what they take away from their story – and then I question what I take away from mine… especially when our stories overlap. I consider what either one of us knows (and can verify) and how those facts and/or recollections are braided together with what we have been told and what our brains have imagined to fill in the missing gaps. When I question in this way, I sometimes I walk away from a conversation or a meditation and think “That story should be a bestseller.” Other times… Other times I think, “That’s a first draft. It needs more information and a rewrite.”
“Healing stories guide us through good times and bad times; they can be constructive and destructive, and are often in need of change. They come together to create our own personal mythology, the system of beliefs that guide how we interpret our experience. Quite often, they bridge the silence that we carry within us and are essential to how we live.”
– from Waking: A Memoir of Trauma and Transcendence by Matthew Sanford
Wednesday’s playlist is available on YouTube and Spotify.
“In my writing, as much as I could, I tried to find the good, and praise it.”
– Alex Haley
ERRATA:*To avoid confusion, I specifically did not mention the names of Andre Dubus II’s parents. However, despite my best efforts to not confuse the writer/father (Andre Jules Dubus II) with the writer/son (Andre Jules Dubus III), I misspoke during the 4:30 PM practice and attributed House of Sand and Fog to the wrong author. The novel was written by the son, Andre Jules Dubus III, and while author and book were awarded and nominated for several prestigious prizes, it was not listed for the Man Booker Prize, which was known as the Booker Prize for Fiction when the novel was published. ** Also (and this is strike three), after reviewing some pictures of Andre Dubus II, I realized that I mixed up his injuries. As indicated above, his left leg was the amputated leg. Please forgive the errors.
NOTE:The motorcyclist who got drunk and abandoned his motorcycle on the freeway in 1986 was not (physically) involved or injured in the subsequent accident. He was charged for leaving the scene of the accident and served at least a year. In interviews, Andre Dubus indicated that the man took responsibility for his action and that he (Dubus) spoke on his behalf during the sentencing. The man had gotten drunk after his wife abandoned him and their children – a story that overlaps Mr. Dubus’s own stories of marriage, infidelity, and bad coping mechanisms. While he was able to forgive the motorcyclist, because he took responsibility for his actions, Andre Dubus II was not so forgiving of the person driving the car that hit them. The driver was sober, but (according to Mr. Dubus) never made any attempt to contact him or (as far as he knew) Luz Santiago.
“Some days or weeks when you are practicing, the mind will be calm and easily concentrated, and you will find yourself progressing fast. All of a sudden the progress will stop one day, and you will find yourself, as it were, stranded. Persevere. All progress proceeds by such rise and fall.”
– quoted from the commentary on Yoga Sūtra 1.30 from Raja Yoga by Swami Vivekananda
It happens to all of us, at one time or another: We hit a wall, an obstacle. In Yoga Sūtra 1.30, Patanjali names nine obstacles to the practice – which are really nine obstacles to anything: disease, mental inertia (or laziness), doubt, lack of enthusiasm (sometimes translated as carelessness, lethargy or sloth, clinging to sense cravings, false understanding, an inability to reach the goal of concentration, and an inability to maintain the goal. These nine obstacles coincide with four physical-mental experiences. Naming these obstacles (and the arising experiences), when we experience them, can be helpful in helping us (as Marcus Aurelius instructed himself) find the way forward.
However, there is a tendency, for some of us, to really dig into WHY we hit the wall. We want to know the “why” so that we can avoid it in the future – and there is merit in that. Such inquiry can benefit us, can directly and indirectly benefit those around us, and can also benefit people we have never met and will never meet. However, sometimes, all that digging into what was can itself become an obstacle. Sometimes, all that inquiry can keep us from moving forward.
Before I move forward with this line of thinking, let me point out that we can sometimes get stuck because of our perceptions about moving forward. Moving forward looks different to different people and/or in different circumstances. For example, I just heard about a junior Olympian who, for a variety of reasons, had to take a break from training. Moving forward for her looks like getting back to training. On the flip side, if you (or someone you know) were stuck in a toxic, maybe even physical and/or mentally abusive relationship, moving forward looks like staying out of that relationship. It also means staying away from similarly toxic relationships – because, otherwise, you’re stuck in the same pattern and not moving forward at all. Even if the people in these scenarios are getting unstuck at the same time, the way they move forward is going to look different.
So, clearly, to move forward we have to move. Right? Well…. Yes, and no.
Even before we get to the no; let’s talk about the yes. The human mind-body is designed to “flow” or move. Not only is the basic construction of the mind-body conducive to moving, one of its primary systems, the lymphatic system, functions through movement. The lymphatic system is part of the cardiovascular (or circulatory) and immune systems, and is also connected to the digestive system. It plays a crucial part in our overall health and requires muscular movement (contraction and release) in order to function.
Movement serves as the pump that moves lymphatic fluid through the lymph nodes strategically located throughout the body. The lymphatic fluid brings in the cells that kill abnormal cells and foreign substances (which cause disease); can re-circulate protein cells; washes away dead cells and debris; and carries that (liquid) waste to the kidneys so that it can be flushed out of the body. The lymphatic system also helps the body to absorb (nutritional) fat and removes excess liquid from the body, in order to prevent inflammation that can lead to disease. The very act of breathing facilitates the movement of the lymph. But, it moves it in a limited fashion; which means that, when someone is unable to move their muscles on their own, having externally provided manipulation/stimulation can be helpful (and that can occur in a lot of different ways).
So, yes, the human mind-body needs to move. The question is, on any given day, how much movement do you need? And how do you know what kind of movement you need? My friend and fellow yoga teacher Sandra Razieli once said that sometimes she starts moving and if she feels better she keeps going. On the flip side, if the movement she’s doing doesn’t make her feel better, even a little bit, she changes what she’s doing. (I identify Sandra as a “fellow yoga teacher,” but honestly she’s a movement facilitator and has a knowledge base of kinesiology and neurophysiology that exceeds a basic knowledge of āsana.) Sandra’s guideline is consistent with a similar one from Wade Imre Morissette, a Canadian yoga teacher and musician, who once said that if you finish your yoga practice and you don’t feel a little better than something went wrong.
“The nine obstacles described in the previous sutra rob the body of vitality, strength, stamina, and agility, and the mind of clarity and peace. The absence of these obstacles is the ground for joy. Their presence is the ground for pain, which in turn leads to four other debilitating conditions: mental agitation, unsteadiness in the limbs, disturbed inhalation, and disturbed exhalation.”
– quoted from the commentary on Yoga Sūtra 1.31 from The Secret of the Yoga Sutra: Samadhi Pada by Pandit Rajmani Tigunait, PhD
It makes sense that people who are, for the most part, in “the business of movement” would tell people to move. And, sometimes, you might come to a practice and be amazed that the teacher “magically” knows the kind of movement you needed to feel better. You might even be amazed when, a day or so later, you attend class with another instructor and they are “magically” leading a practice with similar elements. Of course, part of your amazement comes from (1) not considering that we all have mind-bodies that are subjected to similar external factors; (2) while there are a lot of different ways to access certain parts of the body, people in a similar region (who were trained in a similar style/tradition) are going to be most familiar with the same methods; and (3) certain things are needed in order to safe and mindfully access certain parts of the mind-body. People “in the business of movement” are also going to tell you that it’s important to be still, to not move – that’s why we have Śavāsana!
If you look at anything in nature, including your own mind-body, you will find evidence of Sir Isaac Newton’s Third Law of Motion: For every action, there is an equal and opposite reaction. This is how nature finds balance, by moving between extreme states of imbalance. Things ebb and flow; we inhale and exhale; muscles contract (eccentrically and concentrically) and then release. Just like a motorized vehicle, we have an accelerator and a brake in the form of our sympathetic and parasympathetic nervous systems.
The sympathetic nervous system, which is associated with the fight/flight/freeze response, is related to action. The parasympathetic nervous system, which is associated with our ability to rest/digest/create, is the opposite reaction. They go hand-in-hand. We need one in order to have the other. And, sometimes, we find that we are not fully engaging in one because we are not fully engaging in the other. We are out of balance. We are stuck.
Again, when we are stuck, we have to figure out what is going to move us. Maybe it’s a really vigorous vinyasa practice or a ViniYoga practice (where there’s movement, but it’s not inherently “super sweaty. ”Maybe it’s a more static “Power Yoga” vinyasa practice. That said, what we need might be a Yin Yoga practice, a Restorative Yoga practice, or something in between those aforementioned practices (like an Iyengar Yoga practice). Or maybe what we need is to dance or walk, play catch with the kids, and/or do some somersaults – and it has absolutely nothing to do with yoga. We may not always know what we need, but we know when we need something to move us forward.
“That man [my father], sitting on his plastic mat in 1970, was lonely. His search had brought him to a place he didn’t quite grasp, one that lacked the reassurance of a clearly traveled path in front of him. I have my own version of that loneliness. I, too, am searching for something transformative. While I do have a yoga teacher, we have never lived in the same city. While I do practice where yoga is more widely accepted, I do so from within a paralyzed body. I do not know where the work is going, or even what is possible. But, while the work may be solitary, the impetus comes from loving the world, from wanting to join it. I wonder if he knew this, too.”
– quoted from “Part Three: Yoga, Bodies, and Baby Boys – 12. Taking My Legs Wide” of Waking: A Memoir of Trauma and Transcendence by Matthew Sanford
Which, brings me back to yoga – or, really, any group activity (even on Zoom) – where you can tap into the collective momentum of the community. Taking a class on Zoom, YouTube, or any other virtual platform is not the same as taking a class in person. However, it can have similar advantages: there’s (still) a sense of community; someone else keeping track of time; someone keeping you accountable; and someone offering suggestions and (sometimes) “magically” knowing what you need. What happens, however, when you show up and the movement being suggested isn’t what you need?
First and foremost, it is important to remember that “This is your practice.” is not just something that we say. We say it because it’s true. Second, there are a lot of different ways to get into (and out of a pose); different ways to practice a pose/sequence; and most importantly, there’s more than one way to access a certain part of your mind-body. If your instructor/teacher doesn’t offer you options, ask for them! Finally, one of the advantages to a virtual practice, is that if you find that the movement isn’t exactly what you need in that moment, you can turn off your camera (if you’re live) and just take advantage of the other benefits to practicing in a community – and you can do so without the stigma or confusion that can sometimes occur when you do your own thing in a public setting.
“Self-nurturance is a key to taking care of the body. Resting when we need to rest, eating well, exercising, and giving the body pleasure all help to keep the first chakra happy. Massages, hot baths, good food, and pleasant exercise are all ways of nurturing ourselves and healing the mind/body split that results from the mind over matter paradigm. We cannot be integrated and whole if the two polarities are pitted against each other. Instead, through the body, we can have an experience of mind within matter.”
– quoted from “Chapter 2, Chakra One: Earth – The Body” of Wheels of Life: A User’s Guide to the Chakra System by Anodea Judith, Ph.D.
Please join me today (Tuesday, June 29th) at 12:00 PM or 7:15 PM for a yoga practice on Zoom.Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below or by emailing myra (at) ajoyfulpractice.com.
Tuesday’s playlist is available on YouTube and Spotify. [Look for “10202020 Pratyahara”]
In the spirit of generosity (“dana”), the Zoom classes, playlists, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). If you don’t mind me knowing your donation amount you can also donate to me directly. Donations to Common Ground are tax deductible; class purchases and donations directly to me are not necessarily deductible.)
If you are thinking about suicide, worried about a friend or loved one, or would like emotional support, you can call 1-800-273-TALK (8255). You can also call the TALK line if you are struggling with addiction or involved in an abusive relationship. The Lifeline network is free, confidential, and available to all 24/7. YOU CAN TALK ABOUT ANYTHING.
If you are a young person in crisis, feeling suicidal, or in need of a safe and judgement-free place to talk, call the TrevorLifeline (which is staffed 24/7 with trained counselors).
“Ramadān Mubarak, Blessed Ramadān!” to anyone who is observing the month of Ramadan. “Happy Ridván!” to those celebrating the “the Most Great Festival.” Many blessings, also, to those who are Counting the Omer.
[This is the “missing” post is related to Saturday, April 24th. You can request a substitute audio recording via a comment belowor (for a slightly faster reply) you can email me at myra (at) ajoyfulpractice.com.
In the spirit of generosity (“dana”), the Zoom classes, recordings, and blog posts are freely given and freely received. If you are able to support these teachings, please do so as your heart moves you. (NOTE: You can donate even if you are “attending” a practice that is not designated as a “Common Ground Meditation Center” practice, or you can purchase class(es). Donations are tax deductible; class purchases are not necessarily deductible.)
“Everybody knows a hundred stories, you know, a thousand stories – the question is: Why does this story pick on you? Why this story and not that story? My guess is now this: the story or poem you find to write is the story or poem that has some meaning that you haven’t solved in it, that you haven’t quite laid hands on. So your writing—it is a way of understanding it, what its meaning, the potential meaning, is. And the story that you understand perfectly, you don’t write. You know what the meaning is; there’s nothing there to nag your mind about it. A story that’s one for you is the one you have to work to understand.”
– quoted from “A Conversation” (with John Baker, 1989) in Talking with Robert Penn Warren, edited by Floyd C. Watkins, John T. Hiers, and Mary Louise Weeks
Established April 24, 1800, the Library of Congress houses over 168 million items, in over 460 languages. These materials, housed in four buildings, as well as online, include millions of books and printed materials, recordings, photographs, maps, sheet music, manuscripts, “incunabula,” rare books, legal items, and other items designated as non-classified or special. While the Library of Congress was opened to the public in 1897 and is the de facto library of the United States and “the library of last resort” for all US citizens, the general public cannot randomly and at will check out books from the Library of Congress. However, if you find your way into its stacks – virtually or in real life, you will find stories by a number of authors, artists, composers, and cartographers who share the library’s birthday, including Anthony Trollope (b. 1815), Carl Spitteler (b. 1845), Robert Penn Warren (b. 1905), Sue Grafton (b. 1940), Eric Bogosian (b. 1953), and Kelly Clarkson (b. 1982. You will also find within those annals, the stores of those same authors, artists, composers, and cartographers.
Take Robert Penn Warren, for instance. A Southern Gentleman, if ever there was a Southern Gentleman, Robert Penn Warren was born in Guthrie, Kentucky, close to the Tennessee-Kentucky border. He spent his high school and undergraduate years in Tennessee, where he was a member of the poetry group known as “The Fugitives.” Some members of that group, including Mr. Warren, formed a group known as the “Southern Agrarians” (as well as the “Twelve Southerners” and a variety of other combinations of the same), which produced a “pro-Southern agrarian” collection of essays called I’ll Take My Stand: The South and the Agrarian Tradition (1930). Robert Penn Warren’s contribution to the “manifesto” was “The Briar Patch” – a pro-segregation essay that was considered so “progressive” by some of the others in the group that it was almost excluded from the collection.
Now, right about here is the point where someone who knows that I’m Black and from the South might wonder why exactly I would highlight, even seem to celebrate, a man (albeit a poet) whose views are so antithetical to my own. I would wonder too, if that were the whole story. But it’s not, it’s not even close.
And, if you know anything about me, you know I’m going to suggest going deeper. Getting more of the story and, as Patanjali suggests, really focusing-concentrating-meditating on the various ways the story (and the subject of the story) changes in terms of form, time, and condition, allows us to see cause-and-effect at work/play.
– “By making Samyama on the three sorts of changes comes the knowledge of past and future.”
After graduating summa cum laude from Vanderbilt University, Robert Penn Warren earned a Masters at the University of California, Berkeley; studied at Yale University for a bit; and obtaining a B. Litt as a Rhodes Scholar at New College, Oxford in England. He even received a Guggenheim Fellowship for Creative Arts which allowed him to study in Italy while the country was under the control of Benito Mussolini.
He held all the national poet titles designated by the Library of Congress: serving as “Consultant in Poetry” 1944 – 1945 and then “Poet Laureate Consultant” 1986 – 1987. He won the 1947 Pulitzer Prize for Fiction (for All the King’s Men, perhaps his best known work) and both the 1958 and 1979 Pulitzer Prize for Poetry – making him the only person to win a Pulitzer in both Poetry and “Fiction.” (Last week, I slightly erroneously, identified Thornton Wilder as a winner a Pulitzer in both Drama and “Fiction;” however the latter prize was technically known as the “Pulitzer Prize for the Novel” when Mr. Wilder won it.) He also won the National Book Award for Poetry (for the collection that won the 1958 Pulitzer); was selected by the National Endowment of the Humanities to give the “Jefferson Lecture” in 1974; and was awarded the Presidential Medal of Freedom in 1980, a MacArthur Fellow in 1981, and the National Medal of Arts in 1987.
And that’s not only a small portion of his accolades; it’s only part of his story….
As if devoting a whole novel to a “controversial,” “radical” politician with “progressive” ideology wasn’t enough, Robert Penn Warren’s essay “Divided South Searches Its Soul” was published in the July 9, 1956 issue of Life magazine and an expanded version of the essay became the booklet Segregation: The Inner Conflict in the South. He would write another Life essay, in 1961, that became a book entitled The Legacy of the Civil War. As if his words alone were not enough to walk back his previous words, Mr. Warren started sharing his (very Southern and very prominent) platform with Black Civil Rights activists through a series of interviews published as Who Speaks for the Negro? (1965).
“The asking and the answering which history provides may help us to understand, even to frame, the logic of experience to which we shall submit. History cannot give us a program for the future, but it can give us a fuller understanding of ourselves, and of our common humanity, so that we can better face the future.”
– quoted from The Legacy of the Civil War by Robert Penn Warren
Before publishing the collection, Robert Penn Warren traveled around the country and recorded interviews with leaders like United States Representative Adam Clayton Powell, Jr. (the first African-American elected to Congress from New York); Whitney Young (of the National Urban League); Dr. Kenneth Clark (the husband half of the husband-wife team of psychologists whose work was cited in the landmark Supreme Court trial “Brown v. Board of Education”); Bayard Rustin (one of the organizers of the “March on Washington for Jobs and Freedom”); the Reverend Dr. Martin Luther King Jr.; and Malcolm X. He also interviewed authors like James Baldwin and Ralph Ellison; as well as (then) students like Ezell A. Blair, Jr., Stokely Carmichael, Lucy Thornton, Jean Wheeler, and Ruth Turner; and additional college students at Jackson State University and Tougaloo College (both of which are historically black colleges and universities (HBCUs) in Mississippi, although the latter is private and Christian-affiliated).
For a variety of reasons, about some of which we can only speculate, a lot of interviews were conducted but not included in the book. These include interviews with educator Septima Poinsetta Clark (who became known as “the Queen Mother” and “Grandmother” of the Civil Rights movement); the businessman Vernon Jordan; Gloria Richardson (one of the five women who were recognized as Civil Rights leaders – but not allowed to speak – during the “March on Washington for Jobs and Freedom”); and Andrew Young (who would go on to serve in the United States Congress, as well as the 14th U. S. Ambassador to the United Nations and the 55th Mayor of Atlanta).
Just to be clear, neither Robert Penn Warren nor those he interviewed seemed to (as far as I can tell) steer clear of controversial subjects – including violence with the Civil Rights Movement; social/cultural versus public/political segregation; cultural assimilation; the difference between the North and the South, as well as the difference between the different classes in the United States and the importance of history, education, and wealth in the United States. Mr. Warren has been quoted as stating, “The individual is an embodiment of external circumstances, so that a personal story is a social story.” In keeping with this idea, he not only asked people to define what it meant to be “a Negro;” he also asked their opinions about the works of people like W. E. B. Dubois, the Swedish economist and sociologist Dr. Gunnar Myrdal, Abraham Lincoln, and Thomas Jefferson. Additionally, he asked people to share their thoughts on abolitionists like William Lloyd Garrison and John Brown – not to mention Confederate heroes like Robert E. Lee.
“‘It is easy,’ I said, ‘I can change that picture of the world he carries around in his head.’
‘How?’
‘I can give him a history lesson.’
‘A history lesson?’
‘Yes, I am a student of history, don’t you remember? And what we students of history always learn is that the human being is a very complicated contraption and that they are not good or bad but are good-and-bad and the good comes out of the bad and the bad out of the good, and the devil take the hindmost.’”
– (Jack and Anne) quoted from All the King’s Men by Robert Penn Warren
Saturday’s playlist is available on YouTube and Spotify.
“Everybody knows a thousand stories. But only one cocklebur catches in your fur and that subject is your question. You live with that question. You may not even know what that question is. It hangs around a long time. I’ve carried a novel as long as twenty years, and some poems longer than that.”
– Robert Penn Warren quoted from a 1981 interview
Let’s Share Some Kiss My Asana Stories!!
Last year during Kiss My Asana, I shared a few people’s yoga stories; however, to kick off the 8th Annual Kiss My Asana yogathon, Mind Body Solutions, shared bits of stories (see links below) from people who directly benefit from the yoga practices offered by MBS.
This annual yogathon benefits Mind Body Solutions, which was founded by Matthew Sanford to help those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. Known for their adaptive yoga classes, MBS provides “traditional yoga” classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals. This year’s yogathon is only a week long! Seven days, starting yesterday (Saturday), to do yoga, share yoga, and help others. By participating in the Kiss My Asana yogathon you join a global movement, but in a personal way. In other words, you practice yoga… for 7 days. And you can start today!!
The yogathon raises resources and awareness. So, my goal this year is to post some extended prāņāyāma practices and to raise $400 for Mind Body Solutions. You can do yoga starting today. You can share yoga be inviting a friend to one of my classes or by forwarding one of the blog posts. You can help others by donating or, if you are not able to donate, come to class Saturday – Wednesday (or request a class you can do on your own) and practice the story poses on Thursday and Friday so that I can make a donation on your behalf.
You can add 5 minutes of yoga (or meditation) to your day; you can learn something new about your practice; or even teach a pose to someone close to you – or even to one of your Master Teachers/Precious Jewels. If you want to combine this practice with your Kiss My Asana practice, ask someone to tell you their yoga story!!!
“You can never give up because quitting is not an option. No matter how dark it is or how weak you get, until you take that last breath, you must fight.”
– Wayman Tisdale, professional musician and basketball player
“Sad times, may follow your tracks Bad times, may bar you from Sak’s At times, when Satan in slacks Breaks down your self control
Maybe, as often it goes Your Abe-y, may tire of his rose So baby, this rule I propose Always have an ace in the hole.”
– from “Ace in the Hole” by Cole Porter
Here’s a question: Have you ever experienced trauma, loss, and disability? We all have, on some level, and we all will before we leave this earth.
So, here’s a better question: Have you ever experienced trauma, loss, and disability that changed the way you viewed yourself and the world? Many who would have answered “no” to that question a month or two ago (or even a year ago), might answer “yes” now.
I specifically mention two months ago, rather than two weeks ago, because two months ago I was participating in the seventh annual Kiss My Asana yogathon, which benefited Mind Body Solutions. Known for their adaptive yoga program, which includes teacher training, and training for care givers Mind Body Solutions “helps those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body.” Founding teacher Matthew Sanford is constantly reminding us that at some point we are all going to experience trauma, loss, and disability. Even if we do not become physically disabled, we can experience trauma and loss that disables us and makes it impossible to do things the way we did them before. The practice of yoga, especially as it is applied by the teachers at MBS, is both simple and complex – because the way we deal with trauma, loss, and disability is simultaneously simple and complex… because humans are both simple and complex. Ultimately, it’s not the if/when/how we experience the trauma, loss, and disability that’s important. Ultimately, what’s important is how we deal with it.
“I am only half a man now.”
– Cole Porter to his friends in 1958
“Cancer might’ve taken my leg, but it can’t take my smile.”
– Wayman Tisdale in an ESPN interview released in 2008, five months before he died (The reporter noted that he followed the words with “that famous, ear-splitting grin.”)
Depending on how you look at them, Cole Porter (who was born today in 1891, in Peru, Indiana) and Wayman Tisdale (who was born today in 1964, in Fort Worth, Texas) don’t have a lot in common. Except for the whole birthday thing… and the fact that they were both professional musicians whose parents started their musical training at early ages. (Porter’s mother started him on violin lessons at 6 and piano lessons at 8. Tisdale’s father bought him his first bass guitar at age 8.) Tisdale said music was his “first love” and, undoubtedly, Porter would have shared the sentiment. They both ended up being known for jazz – although slightly different kinds of jazz. Oh, then there is the fact that they both engaged in highly physical activities (outside of music); Porter as an equestrian, Tisdale as a professional basketball player who was inducted into the College Basketball Hall of Fame (2009), the Oklahoma Hall of Fame (2009), and played in both the Olympics (1984) and Pan American (1983) Games. Both men were extremely well-liked and remarked upon because of their sunny dispositions.
Oh, and they were both (right leg) amputees.
Weird coincidence, huh? But, that’s not really the point today. The point today is how they dealt with their trauma, loss, and disability.
“The doctor had never given anyone chemo that was my size. They just calculated how much chemo to give me and said, ‘We hope it doesn’t mess up your kidneys. If it does, sorry.’”
– Wayman Tisdale in an ESPN interview released in 2008, five months before his death
In 1937, a horseback riding accident resulted in the horse crushing both of Cole Porter’s legs. In 2007, Wayman Tisdale fell down a flight of stairs and broke his leg – an accident that revealed he had osteosarcoma in his knee. Both men were bound and determined to live, despite their situations – which involved immense amounts of pain and uncertainty. By all accounts, including his own words, Wayman Tisdale accepted the amputation and focused on using the support around him to help him heal and move forward. He even appreciated the attitude of one of his master teachers/precious jewels, who he didn’t think wanted him to get better, stating in a 2008 ESPN interview, “At the time, I frowned on that. I look at it today that had I not persevered through a lot of the stuff [USA Team coach Bobby Knight] put me through, I probably wouldn’t be here today. I thank God for that dude because he pushed me.” Cole Porter, on the other hand, seems to have given up. He fought the amputation until he was given no other choice and, while he wrote an immense amount of music after the accident that ultimately cost him his leg, he wrote (so far as we know) not a lick after the amputation.
“The lines of ceaseless pain have been wiped from his face…I am convinced that his whole life will cheer up and that his work will profit accordingly.”
– Noel Coward writing in his diary about his friend Cole Porter, after Porter’s leg was amputated in 1958
“But when we first talked on the phone, he [Wayman] made me feel better. Ninety-five percent of us would’ve gone into a deep depression, but he didn’t.”
– Arthur Thompson, drummer and friend of Wayman Tisdale, in a 2008 ESPN interview, after Tisdale’s diagnosis and amputation
Please join metoday (Tuesday, June 9th) at 12 Noon or 7:15 PM for a virtual yoga practice on Zoom, where you can check in with your attitude. Use the link from the “Class Schedules” calendar if you run into any problems checking into the class. Give yourself extra time to log in if you have not upgraded to Zoom 5.0. You can request an audio recording of this practice via a comment below.
Tuesday’s playlist is available on YouTube and Spotify. (Links will be available on Zoom and I have updated this page, with links, shortly before the Noon class. NOTE: Spotify users may have 2 Eartha Kitt songs. Enjoy.)
“For a man who lives by schedules to not know the next day because of being so fatigued, that puts things in perspective.”
– Dolphin Davis, Sr., Wayman Tisdale’s friend and personal trainer
(“Ramadan Mubarak, Blessed Ramadan!” to anyone who is observing Ramadan. I typically talk about Ramadan at the end of the season, so keep your eyes open.)
At my core, I am a storyteller, a griot, a bard. I spent a good portion of my life helping others tell their stories and then, I started helping people get in touch with their stories. Sometimes I tell other people’s stories; every once in a while, I tell my stories. So, it made sense to request stories for this year’s Kiss My Asana yogathon. I did this before I realized Matthew Sanford, the founding teacher of Mind Body Solutions (which benefits from the yogathon) was also going to share stories of some adaptive yoga students. Of course, it makes sense that, Matthew is also a storyteller who helps people get in touch with their stories. In fact, in his first book, Waking: A Memoir of Trauma and Transcendence, he talks about “healing stories,” which he defines in the introduction as “my term for stories we have come to believe that shape how we think about the world, ourselves, and our place in it.” In recent years, he has co-hosted “Body Mind Story,” a series of writing workshops with Kevin Kling and Patricia Francisco.
“Healing stories guide us through good times and bad times; they can be constructive and destructive, and are often in need of change. They come together to create our own personal mythology, the system of beliefs that guide how we interpret our experience. Quite often, they bridge the silence that we carry within us and are essential to how we live.”
– from Waking: A Memoir of Trauma and Transcendence by Matthew Sanford
The physical practice of yoga, can be a way to access our personal stories. In fact, Father Laurence Freeman OSB makes a very compelling statement (in Episode 14 of the podcast “Contemplate This!”) about why the body is a vital tool when it comes to accessing, telling, and understanding our healing stories. Father Laurence doesn’t use the term “healing stories” and, in fact, what he mentions in the podcast is Christianity, which has its own tradition of moving the body in order to access the story.
If you have ever attended a Catholic mass, you know that there is a lot of moving – like a lot, a lot of moving. People stand, people sit, people kneel; people bow their heads to pray – and then they repeat it all again. It is like a sun salutation, especially if you consider it from the perspective of the hips and knees. Even when people reach out their cupped hands or open their mouths in the shape of an “O” to receive communion, there is a kind of repetition and symbolism that parallels what we do in yoga. Another way, people use their bodies to access an important story in Christianity is by moving through the Stations of the Cross.
As I mentioned in April, I did not teach a Good Friday class for the first time in eleven years. My normal Good Friday class uses the yoga poses to mirror walking through the Stations of the Cross, which in turn is a way to mirror the Via Dolores – all three of which are ways people access the story of Jesus’s last moments and, in doing so, access their stories as Christians. I do the class, despite occasional criticism, because it is also a way to access a story of radical love and radical compassion.
Think about what that means to you for a moment – even if you take it out of context: radical love and radical compassion.
In my Good Friday post, I alluded to some people who would miss my Good Friday class. One of those people that immediately came to mind was Meghan G (who some of you will remember as Yogi #12: The Fixer during Kiss My Asana 2016). When I requested stories for Kiss My Asana 2020, Meghan G sent me the following Good Friday story:
“My story has happened quite recently. On Good Friday, just last week, I was feeling so disconnected from my faith community of Saint Joan of Arc, my yoga community Downtown YMCA Friday night yogis and really the whole human community. Every tradition or ritual that I/we have grounds me in the meaning of Holy Week was uprooted. Holy Week, and Good Friday contemporary stations of the cross in particular, is one of the most sacred times of the year. It almost felt to me that day as though it was being ignored.
In an effort to stop the downward spiral of disconnectedness, I sought out Saint Joan of Arc’s Good Friday celebration on video, posted on the website. I had tried to worship this way on Holy Thursday, but found myself distracted, multi-tasking and unfulfilled by the experience. So this Friday I decided to stop the swirling in my mind I would lead myself through a series of poses to calm and focus my mind. Myra had prepared me well for this. As I listened to the Stations of the Cross and the familiar music and stories from my faith community I progressed through a series of poses that were also as familiar and soothing as the service. I was able to connect Jesus’s suffering on the cross with the greater suffering in our world right now (and always) and feel again a part of the human community.
Thank you, Myra, for teaching me over the years to do yoga as you do life…with intention and love. Happy Easter, Meghan”
Like other yoga teachers, I say it all the time, “This is YOUR practice. This is YOUR time.” One of the things that has come up again and again in my conversations with various yogis is how the pandemic has forced us to take ownership and stewardship of our individual practices. Meghan’s story reinforces the fact that not only is it your practice / your time, YOU are completely capable of OWNING IT!
And, this is an important piece; it reinforces the fact that you are completely capable of telling your healing stories. You have what you need to guide yourself through the good times and the bad. You don’t have to go it alone, however, we are with you. Notice, even when Meghan felt alone, she knew where to turn.
Thank you to Meghan G and everyone else who supported Mind Body Solutions and the Kiss My Asana yogathon, this year and every year. Today is the final day to donate via my 2020 Kiss My Asana campaign.
Remember, when you do yoga, share yoga, help others you join a global movement, but in a personal way, and you open up a world of possibilities. Mind Body Solutions was founded by Matthew Sanford to help those who have experienced trauma, loss, and disability find new ways to live by integrating both mind and body. Known for their adaptive yoga classes, MBS provides “traditional yoga” classes, workshops, and outreach programs. They also train yoga teachers and offer highly specialized training for health care professionals.
Please check out the all-humanity, Kick-Off gathering featuring insights from MBS founder Matthew Sanford, conversation with MBS students, and a mind-body practice for all. This video also features Matthew and Kevin Kling talking about cultivating stories. If you’re not familiar with MBS, this will give you a glimpse into the work, the people, and the humanity of the adaptive yoga program which I am helping to raise $50K of essential support.
A Joyful Practice 